The record took three years to develop and only six days to record. It started with twenty five sketches which were developed to varying degrees and, eventually, pared–down to a final four. The recordings took place in a small underground vault, air-tight and intimate, like the final result. Although, the music is emotionally gripping – defined by a dance-floor drive and a thick cinematic atmosphere – it's hard not to notice the craftsmanship and the skill level involved in bringing these songs to life. The song Folding Space, for example, is based on a pattern in 19/8 that turns around on the offbeat against the quarter note. Transitoriness, feels like a standard four-to-the-floor, but it's actually based on an interlocking four against five against three rhythm! Shipol, on the other hand, is predicated on constantly shifting piano, snare and bass drum accents, which make the song feel as if it were performed in 7/16, and not the standard 4/4 that it is. The only composition that is somewhat stand-alone, in that it's slower than the rest, is Dry Soul. It's also the only piece that doesn't utilise a fully prepared piano. The group refers to it as their Coltrane doom-ballad. In many ways, this is the spiritual anchor for the record, giving it extra weight and providing necessary contrast.

When asked to describe their music, the band came up with: "it falls somewhere between T.C. Boyle's prose and Tarkovsky's dream-like images." It makes sense! Because the point isn't to wow listeners with technique, but to create an experience via deep affect.